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An artist portfolio can feel harder to make than the work itself. My work lives across years, folders, and materials: photographs, drawings, collage, objects, costumes, and digital experiments. Then an application asks me to explain who I am, what I make, and where I want to go. I used AI to help assemble a readable portfolio for HUP03, a Kunstwerkt call. The portfolio included eight works spanning photography, collage, assemblage, performance, and AI-assisted illustration. The goal was to organise the material without flattening it into a generic artist statement. Step-by-step: 1. I started with the actual work: images, titles, dates, and any explanations I already had. For each piece, I established the title, year, medium, whether it was a standalone work or part of a series, what prompted it, how it was made, and which details mattered. I gave AI concrete material rather than asking it to invent my practice. 2. I described each piece in my own words, as I would to someone looking at it beside me. One of my works, *Olifant onder het tapijt*, combined three expressions: the elephant in the room, the elephant in a china shop, and sweeping things under the carpet. The setting became a recognisably Flemish grandmother’s living room, with floral wallpaper, a crucifix, and a decorative cow painting. Those details carry the humour and the observation about hiding uncomfortable things. “An exploration of concealment” would lose much of what makes the piece mine. I asked AI to organise my explanation while preserving its specific ingredients. 3. I gave each work a clear, consistent entry with the title, year, and medium; a short description of the idea; and the relevant visual or material choices. Consistency makes varied work easier to read, even though a photograph, costume, and assemblage may need different explanations. Where relevant, I stated AI involvement clearly, such as “digital illustration developed in collaboration with generative AI.” 4. I selected work for range and relevance. My selection included an older photograph, a costume/performance, collage, recent assemblages, and digital work. I asked what each piece contributed: another method, question, period, or way of seeing. I avoided choosing only the newest work or forcing everything into one visual style. The task was to make the selection understandable. 5. I separated the existing artwork from the proposed project. Existing works show what I have made, while a project proposal explains what I want to investigate next. For this application, my project question centred on human connection: a thread becoming a web, then a garden. AI helped articulate that direction without forcing every earlier piece into the same project. I looked for connections I recognised while leaving room for differences and discoveries. 6. I wrote an accurate artist introduction describing the media I use, what interests me, and my current practice. I checked every biographical claim and distinguished courses attended, qualifications completed, and current activities. In my case, wording around an interior design course needed care so it would not imply that I had completed the programme. AI can make a biography sound polished while quietly making it less true, so I read the facts as closely as the prose. 7. I treated the first draft as material to revise. Useful feedback included: “That sounds more formal than I mean,” “This detail is essential,” “You have made the idea too abstract,” “That suggests a qualification I do not have,” and “This is my observation, not a universal claim.” AI revised the structure and wording, but I decided whether the text still belonged to the work. 8. I checked the portfolio as a whole against the application requirements. I reviewed titles, dates, media, image-text matches, requested sections, and length limits. I removed repetition between the artwork descriptions, biography, and proposal. Someone unfamiliar with me should be able to understand the work without needing the conversation behind the portfolio. The overall process was: gather existing work, explain each piece, verify the facts, build consistent entries, select a meaningful range, describe the proposed direction, revise in my own voice, and check the application. AI was useful as an interviewer, organiser, and editor. The substance came from the work and the person who made it. A portfolio does not need to turn a varied practice into one tidy slogan; it needs to give someone a way into it.