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Fien De Waele Tongeren, Belgium

Recover Songs, Books, and Videos from Vague Memories

Sometimes I remember something perfectly badly: not its title, creator, or where I found it, but a sound, a color, a vague cover, a sentence, or a period in my life. I know it exists because I loved it, but I cannot name it. I use AI and my digital traces to recover songs, books, videos, articles, and quotes. Memory is not a catalog; it stores traces. AI can turn those traces into searchable hypotheses. Step-by-step: 1. I dump every surviving clue without waiting for a proper search query. The clues can be as rough as “The title sounded like nu nau tau,” “It was ambient or humming,” “The cover was maybe a green desert?” or “I knew it around 2019.” Another example is: “A book about makers and Disney. White 3D-printed figures, tiny people, and bears on a blue cover.” This is raw memory evidence. 2. I separate certainty from guessing by labeling each clue as certain, fairly sure, possible, or probably distorted. I keep uncertain clues, but do not treat them as facts. A wrong attribution or outdated cover does not invalidate everything else. 3. I reconstruct the original encounter. I ask where I was and whether I Shazamed it, saved it, sent it to someone, screenshotted it, or bought it at a book fair. In one case, I remembered hearing a song in someone’s car and Shazaming it because I could not parse the pronunciation. Remembering that capture action pointed to a retrieval source. 4. I search my own collections first: playlists, liked songs, Shazam history, saved videos, old posts, messages, bookmarks, notes, photos, receipts, and reading lists. The object may already be there under metadata I no longer remember. I start with the smallest reliable fragment. 5. I search for “nu” inside my playlists after remembering “nu nau tau.” That recovered Man O To — Nu. The artist and title had blended into one phrase, and the song was sitting in several playlists, including my Shazam collection. A clue does not need to be complete; it only needs to be distinctive enough inside the right collection. 6. I allow memory to scramble metadata. An artist and title may merge, album art may become song art, and a quotation may survive with the wrong poet attached. I split remembered phrases, swap artist and title, try different word boundaries, consider older releases, and search phonetically using similar syllables, vowel sounds, homophones, alternate spellings, or other languages. I also ask what the cover looked like when I knew it, because artwork changes. 7. I use context and cross-reference traces. A year, trip, relationship, or platform can narrow the search more than a half-correct title. Spotify might preserve the song, Shazam the discovery moment, and an old message the recommendation. Old posts are accidental archives, and dead links may still leave names, dates, or descriptions. If memory fails completely, I inspect behavior from the relevant period, such as repeated listening, watch history, purchases, or library loans. 8. I let AI propose candidates and compare them against several independent clues, including sound, subject, period, cover, and personal context. One matching detail is not confirmation. I show titles, covers, creator names, and short descriptions because recognition may succeed where recall fails. Rejections also help: “No, but the cover was more minimal,” “The title was shorter,” or “It was fiction, not nonfiction.” Each correction sharpens the search. 9. I pay attention to the strangest clue. The blue cover with white figures, bears, and a makers-and-Disney theme led to *Makers* by Cory Doctorow. 10. Once I confirm the object, I save the title, creator, link, why it mattered, and how I recovered it. For example: - Clue: “nu nau tau” - Encounter: heard in someone’s car and Shazamed - Search: Spotify/Shazam collection → “nu” - Result: Man O To — Nu - Distortion: artist and title blended together This becomes a retrieval playbook: which clues survive, where traces live, and how my memory distorts them. The overall workflow is: collect fragments → mark uncertainty → reconstruct the encounter → search personal traces → try phonetic, visual, and contextual clues → compare candidates → recognize and confirm → save the result and retrieval path. I do not need to remember the database fields. I need enough fragments to rebuild the trail. Sometimes the best clue is what I did when I first encountered something. Sometimes it has been sitting in five of my own playlists while I spend years wondering what it was called. 😑😭🎧

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